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Warner Bros. | 2005 | 140 mins | Rated PG-13 | Jul 08, 2008
Batman Begins explores the origins of the Batman legend and the Dark Knight’s emergence as a force for good in Gotham. In the wake of his parents’ murder, disillusioned industrial heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. He returns to Gotham and unveils his alter-ego: Batman, a masked crusader who uses his strength, intellect and an array of high tech deceptions to fight the sinister forces that threaten the city.
Batman Begins discards the previous four films in the series and recasts the Caped Crusader as a fearsome avenging angel. That’s good news, because the series, which had gotten off to a rousing start under Tim Burton, had gradually dissolved into self-parody by 1997’s Batman & Robin. As the title implies, Batman Begins tells the story anew, when Bruce Wayne (Christian Bale) flees Western civilization following the murder of his parents. He is taken in by a mysterious instructor named Ducard (Liam Neeson in another mentor role) and urged to become a ninja in the League of Shadows, but he instead returns to his native Gotham City resolved to end the mob rule that is strangling it. But are there forces even more sinister at hand?
Genius of mystery and intrigue Christopher Nolan (MEMENTO, FOLLOWING, INSOMNIA) helms this prequel to the Batman films based on the DC Comics series, explaining how Bruce Wayne (Christian Bale)–the billionaire prince of Gotham whose parents were killed in an alleyway mugging–transformed into the crime-fighting superhero. With flashbacks to his privileged childhood, young Master Wayne, as he is called by the butler Alfred (Michael Caine), develops a terrible fear of bats when he falls through the backyard garden into a hidden cave. As a young adult, Wayne lives among the League of Shadows, a martial arts group in the mountains of Asia. His leaders Ra’s al Ghul (Ken Watanabe) and Henri Ducard (Liam Neeson) teach him strength, endurance, and–unfortunately–evil, against which he naturally rebels. Returning to Gotham and reinstating himself as a dapper socialite and the rightful heir to his parents’ enterprise, Wayne quickly devises his secret identity, commanding help from the gadgetry expert Lucius Fox (Morgan Freeman). With one eye on his childhood playmate Rachel (Katie Holmes)–now a beautiful woman and dedicated lawyer–and the other on his mission to save Gotham from criminal corruption, Batman makes his fledgling debut. But when the blue-blooded mastermind Dr. Crane (Cillian Murphy)–who steals every scene with chilling menace–taints the water system with a hallucinatory substance, Batman realizes he has met his first true opponent.
An attitude of grave seriousness elevates BATMAN BEGINS above more cartoony Batman movies, as Nolan crafts a dark drama that thrives on sci-fi intrigue. Bale strides into the role with grace, adding refinement that is seldom seen in action-oriented films. And while the action scenes explode with high-tech glitz and fast-moving thrills, they are evenly placed among sequences of plot and character development, making for a complex and satisfying viewing experience.
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Product Details
Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman
Christopher Nolan
AC-3, Color, Dolby, Dubbed, Limited Edition, Special Edition, Subtitled, Widescreen
English
English, French, Spanish
Region 1 (U.S. and Canada only.)
2.40:1
1
Rated PG-13
Warner Home Video
July 8, 2008
TBA
1,116 Customer Reviews
Customer Reviews
Flesh and Machinery
By MICHAEL ACUNA, (Southern California United States) - June 17, 2005
Christopher Nolan and his co-screenwriter, David Goyer have chosen to postpone the crossover of Bruce Wayne (a soulful Christian Bale) into Batman until half way through the new “Batman Begins.”
And this is a crucial and important step that Nolan puts off until Bruce walks the earth in search of his own personal nirvana… in a sort of Christ-like journey to understand himself and his place in the world after his parents are brutally murdered. It is also from this quest that he acquires the knowledge and skills necessary for him to become a warrior, ready and able to combat the ills and rid his town Gotham of all evil-doers.Nolan’s “Batman Begins” is a more macho, masculine film than were the previous movies, which is not to take anything away from Tim Burton’s elegiac, gothic and visionary takes on this story. But Burton’s world is/was/ and will always be the world of the dreamer: his Batman is more sinned against than sinning. His Batman needs love and understanding while Nolan’s wants and needs justice and revenge more than anything else: even the sultry Katie Holmes as Rachel Dawes proves to be of little interest to Batman save a chaste kiss at the end of the movie. It’s interesting to note that in the previous Batman films we had big beautiful bombshells like Kim Bassinger and Nicole Kidman as the so-called love interests while here, in Nolan’s vision we have a more scrubbed clean, working class (Rachel is an assistant D.A.) heroine: a woman who is as interested in righting wrongs as is Batman and not merely someone meant as an adornment to the suave debonair Batman of Val Kilmer, George Clooney or Michael Keaton. It’s an important and telling shift from woman as a plush toy to one who is, not only beautiful but also smart and dedicated to a cause other than self-promotion and self-satisfaction.
Christian Bale’s Batman is real..i.e. a genuine, fleshed-out, beautifully written movie character: he is conflicted, he makes mistakes, he trusts the wrong people at times and he pays for his mistakes. It is a remarkable casting coup to have Bale in this role particularly since of late he has been playing a spate of radicals…i.e. in “The Machinist,” in which he transforms himself into a skeleton…literally. As Bruce Wayne/Batman, Bale dons the mask, assumes the persona, not out of a lust for power but out of a fervent belief that good will always triumph over evil: several times in this film he is brought to task for his trust in the basic goodness of people and one of his mentors ( Liam Neeson as Ducard) even goes so far as to ridicule Bruce as sentimental and weak for it. Though Ducard is his mentor and sensei, this relationship proves to be fraught with ambiguity as the movie progresses to the climax.
What is a Batman film without its villains? But this film is devoid of the cartoon craziness of the Riddler or the Joker. Here we have Cillian Murphy (so good in “28 Days Later”) as a scary-as-hell The Scarecrow, alias psychiatrist Dr. Jonathan Crane, who spews his psychedelic paranoia and psychosis on an unsuspecting Gotham. His “stuff” is more thrilling and frightening than anything that the aforementioned villains could ever muster.
“Batman Begins” is not only a physically gorgeous film, it is also an emotionally and ideologically complicated one. It wears its heart on its sleeve, yes…but it also has the brains and a profoundly strong back and pumped up physicality to back it up.
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